Sunday, July 27, 2014

The Dead Sea Scrolls: A Summary

It is somewhere between late November and early December, 1946. Jum‘a Muhammed, a young Bedouin Arab shepherd, notices one of his goats is missing and spots it running up a hillside on the northwestern rim of the Dead Sea. Leaving his flock to search for it, he climbs the hill and notices a cave in the crevice of the rocky slope. Jum‘a is immediately intrigued, as he has always had a penchant for exploring caves, confident that he would someday find a cache of ancient gold. Curious, he picks up a stone, throws it into the cave, and is startled by the sound of shattering pottery. Thinking he may have stumbled upon a cache of gold, he calls his cousins over to show them the holes. It was getting late and was too dark to attempt to enter the cave, and the next day was already set aside for watering the flocks, but they agree to search the cave two days later.

Shortly after sunrise on the third day, Muhammed edh-Dhib climbed the 100 meters up the rocky slope to inspect these holes while his cousins slept. Moving some large rocks underneath the bigger of the two holes, he climbed up, grabbed the rock overhang, hoisted himself into the opening, and slid down on his back into the cave. Allowing his eyes time to adjust to the dark of the cave, he noticed the walls of the cave were lined by about ten tall jars. Muhammed removed two bundles wrapped in cloth, which he had described as appearing “greenish”, from one of the jars. A third, larger bundle, was a roll of leather without any sort of covering.

Unbeknownst to him, he had just stumbled upon the greatest archaeological find of the twentieth century, and what may be one of the greatest archaeological finds in the history of mankind—a discovery which would later change the way scholars approached scripture. According to a later interview between Muhammed edh-Dhib and archaeologist John C. Trever—the first American scholar to see fragments of these scrolls—his older cousins were angry when he returned to show them the three bundles because he had gone alone, accusing him of hiding some gold from them. This could account for his relative lack of involvement as the story developed aside from returning to help Jum‘a and Khalil remove two large jars from the cave.

Days later, Jum‘a’s five sons arrived and he took the three scrolls edh-Dhib had found to the Ta‘amireh center, located southeast of Bethlehem. The scrolls were left hanging in a bag on a tent pole for several weeks, and the cover on the largest, which had been uninscribed, was broken off and destroyed. Though an unconfirmed mystery, it is possible that the Manual of Discipline was broken into two parts at that time as well.

In March of 1947, Jum‘a and Kahlil Musa moved the three manuscripts and the two jars to Bethlehem and showed them Judah Ibrahim ’Ijha, a carpenter and antiquities dealer who said he could find out whether they could be sold. ’Ijha showed the scrolls to another dealer, Faidi Salahi, who suspected they had been stolen from a Jewish synagogue and warned him to not deal further with the Bedouins. When Jum‘a returned to ask about the manuscripts, ’Ijha gave him back the scrolls, asserting they held no archaeological value and could not be sold. Jum‘a departed, leaving the two jars in ’Ijha’s shop.

Jum‘a continued to move the scrolls around until Sheikh ‘Ali Subh, a Ta‘amireh and friend of Jum‘a, suggested they go to a local cobbler named Khalil Eskander Shahin. Shahin agreed to guarantee a Syrian Orthodox Christian named George Isha‘ya to keep the scrolls for five pounds (the then-equivalent of twenty dollars). They reached an agreement for the Bedouins to receive two-thirds of any price the scrolls sold for.

Word about the scrolls spread fast, and over the next several months, the manuscripts changed hands and numerous people had examined the scrolls and had come (prematurely) to varied conclusions regarding their age and origin. Some claimed the scrolls were forgeries. Others claimed they dated to medieval times. Mar Ignatius Aphram I, Patriarch of Antioch, claimed the scrolls to only be three hundred years old. Still others believed they were about two thousand years old. Claims of the scrolls’ value ranged from “not worth a shilling” to being too great to purchase. One such inquirer, a Jewish antiquities dealer named Sassun, offered to buy the scrolls for 100 pounds (the then-equivalent of 405 dollars) a little before October 1st, 1947. Tovia Wechsler stated, “if that table were a box and you filled it full of pound notes, you couldn’t even then measure the value of these scrolls if they are two thousand years old.” Ironically given the fact that he was using that statement to emphasize his opinion that the scrolls did not date to antiquity, he was right.

These scrolls would later become known as the “Dead Sea Scrolls”, and they would change the way we look at scripture today. Among the first three scrolls that Muhammed edh-Dhib recovered from the cave were the Manual of Discipline (1QS), the Habakkuk Commentary (1QpHab), and the largest was the famous Isaiah Scroll (1QISa). Little did this man know that the scroll whose uninscribed cover they had broken off would happen to become known as the most complete Isaiah manuscript currently in existence. Had Jum‘a known their true worth, the shepherd probably would not have let the manuscripts go for the mere sum of 24 pounds ($97.20), with his share being 16 pounds ($64.80).

In 1948, Hebrew University Professor Eliezer Lipa Sukenik heard through an Armenian antiquities dealer that ancient scrolls had been discovered and wanted to investigate the finds to see if they were significant or not. Despite tension between the Jews and Arabs, he met the dealer at the British divided military zone on the Jerusalem border. It was a secret meeting in which it is told that the dealer “held up a fragment of leather for the professor to examine.” Sukenik recognized the ancient writing while looking through the fence, and wanted to see more.

After traveling to Bethlehem with the dealer to see the scrolls, he recorded his experience in his journal:

“My hands shook as I started to unwrap one of them. I read a few sentences. It was written in beautiful biblical Hebrew. The language was like that of the Psalms, but the text was unknown to me. I looked and looked, and I suddenly had the feeling that I was privileged by destiny to gaze upon a Hebrew Scroll which had not been read for more than 2,000 years.”

He then acquired and published selections of three scrolls: The War Scroll, the Thanksgiving Scroll (Hodayot) and a second copy of Isaiah. In 1949, due to regional turmoil growing violence, Syrian Achbishop Samuel decided to smuggle his four scrolls out of the country and had them relocated to a Syrian Church in New Jersey. Then in 1954, after listing them for sale in a Wall Street Journal advertisement, Samuel sold the four scrolls to Professor Sukenik’s son, Yigael Yadin, through an American middleman, who purchased the on behalf of Israel for the price of $250,000. In 1955, Yadin combined the four scrolls he purchased with the three which were already at the Hebrew University.

Word spread quickly that the seven scrolls contained biblical texts and other ancient religious writings, and people started taking interest. When people discovered where the texts were found, they scrambled looking for more, and over the next nine years, more texts were found in ten nearby caves. A small number of nearly-complete scrolls were discovered, along with tens of thousands of fragments, all representing over 900 different texts written in Hebrew, Aramaic and Greek. Most of these texts are written on parchment, but some are written on papyrus and bronze.

Excavation continued throughout subsequent years, extending outside the Qumran area. More scroll fragments were found at various sites along the western shore of the Dead sea, from Masada to Nahal Hever and Wadi Murabba’at. In fact, between 1946 and 1956, 981 texts were discovered at Khirbet Qumran in the West Bank alone. In 2014, nine of the scrolls were rediscovered at the Israel Antiquities Authority, after they had been in storage for sixty-two years since being excavated in 1952. Of every scroll and fragment that has been found since, it was the Bedouin shepherds who discovered “the majority bounty”, with thousands of fragments from about five hundred different scrolls being found just in Cave 4.

An international team of scholars was appointed by Harding and De Vaux in 1953 to begin publishing the scrolls. As the team began piecing together fragments from over 900 manuscripts at the Rockefeller Museum, what began to merge proved to be an extraordinarily complex historical puzzle—a puzzle that is still being pieced together today.

For 40 years after the manuscripts were discovered, the study of the thousands of fragments was primarily controlled by less than a dozen international scholars. While each of these scholars were experts in their own fields, the small team size limited the rate of publication. In the early 1990s, however, the Israel Antiquities Authority began taking some relatively major steps in order to speed up the publication of the manuscripts. Professor Emanuel Tov of Hebrew University was nominated as chief editor, and the task of publication was dispersed among approximately 100 international scholars. By 2001, most of the official editions were published and available in academic libraries. Concerned for the physical condition of the scrolls, the IAA also established a conservation lab for the sole purpose of the conservation and preservation of the scrolls.

As scholars sorted and assigned the fragments to various manuscripts, early attempts in the 1950s and 1960s to preserve the texts involved using scotch tape and placing the fragments between more than 1200 plates of window glass. As the adhesives aged, however, the skins darkened, their edges gelatinized, and some of the texts became illegible. During the 1960s and 1970s, some of these glass plates were opened and scholars attempted to remove the adhesive tape and stains. Unfortunately, this did more harm than good and the fragments were damaged even further. In 1967, these glass plates were inventoried and numbered from 1 to 1261. During the 1970s, hundreds of glass plates were treated by the Israel Museum. In 1989, there was another, more complete inventory of the fragments which included photographs, museum inventory numbers, and publication statuses.

In 1991, the IAA enlisted the help of international conservation and preservation experts to document and treat thousands of scroll fragments from roughly 900 manuscripts. Facing decades’ worth of damage which had been unintentionally inflicted on the fragments, one important element of the conservation lab was to make sure that any preservation methods which had been used up to that point could be reversed to prevent further damage. The lab uses a climate-control system to mimic the conditions of the caves which had preserved the scrolls for 2,000 years. The IAA now keeps highly meticulous and annually updated records of the condition of each and every fragment, regardless of how small, and each fragment is regularly maintained. This is all done at the hands of specially trained conservators. In 2007, the IAA consulted an international experts committee to discuss the use of spectral imaging to document the scrolls, and by 2008, a dedicated studio was built. A test was conducted to gauge the scope of the project (time, procedures, manpower, technology needs and funding). Currently, the IAA is working to digitize the entirety of every last fragment of manuscript from the Dead Sea Scrolls.

Today there is a great deal of demand by people wanting to see the Dead Sea Scrolls, and the fragments are sent all around the world on exhibits. However, transportation of these fragments is strictly regulated; a piece can only be exhibited for up to three months in perfect conditions, and must then “rest” for a year before it can be transported again. That means if there are four museums in line to view a piece of a scroll and a fifth signs up to see it, the museum’s owner would need to wait at least five years after it leaves its current location before they can see it. There is a constant demand worldwide for such exhibits.

Written between the second century BCE and the second century CE, the Dead Sea Scrolls not only offer fragments of scripture but also other historical documents which offer insight into political and religious struggles various Judean groups faced and explore different ways the Jews during the Second Temple period related to the rest of the world. Painting a picture of complexity and diversity in Jewish religious life and philosophy, these documents have greatly changed the way we understand the world that early Christianity came from.

The non-biblical texts contained within the Dead Sea Scrolls display profound differences and discrepancies in how the various Jewish sects interpreted scripture and obeyed its guidelines. This advances our knowledge of how the ancients interpreted the bible and the way historical events influenced religious life and ideas. The texts even offer insight into philosophical debates and disputes about the Temple, priesthood, the religious calendar, and the afterlife. Most of the disputes were more narrowly focused on observance of the law in everyday life.

What is interesting is that these profound debates which change our understanding of the ancients so dramatically happened during the peak of the Greek and Roman empires, during invasion and foreign rule, from the time of Alexander the Great to the Bar Kokhba Revolt against Rome. Many of the scrolls were written during under the rule of the Hasmonean dynasty. Various international events at the time supported the idea that the world would soon end, as many early Christians believed.

While the shepherds who happened upon the scrolls may not have known the significance of what they had found, much is owed to the ignorance of Jum‘a and his cousins. Through the passing of hands, the greatest archaeological find of the twentieth century find has been pieced together, examined, reproduced, and today is now available for anybody to view on the internet for free. Today the condition and whereabouts of every last fragment of Dead Sea Scrolls are closely monitored, and it is likely that these texts will not pass from history so long as computers exist. After all, who knows how many people have downloaded electronic copies of these scrolls for their own records? 


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Summary of Sources Used


DSS Collections. n.d. http://dss.collections.imj.org.il/isaiah (accessed July 27, 2014).
Oh, That My Words Were Written - Dead Sea Scrolls. n.d. http://www.mywordswritten.org/DeadSeaScrolls.html (accessed July 27, 2014).
The Dead Sea Scrolls. n.d. http://www.deadseascrolls.org.il/learn-about-the-scrolls/discovery-and-publication?locale=en_US (accessed July 27, 2014).
Trever, John C. The Dead Sea Scrolls: A Personal Account. Grand Rapids, MI: William B. Eerdman's Publishing, 1979.

Wednesday, February 19, 2014

Πορνεια: A Word Study

This is an academic paper I wrote for my Greek Exegesis class during the fall of 2013.


ΠΟΡΝΕΙΑ
A Brief Word Study in Relation to Ephesians 5:1-12

            A study of the word πορνεα (porneia) shows its origins as early as the 5th century BC. However, a closer look at the passage of focus, Ephesians 5:1-12, also shows that the root, πορν-, shows up a couple verses later as πορνος (pornos). The English word pornography is borrowed from the greek root πορν-, even if it has a slightly different meaning. In the English it implies printed or visual material displaying sexual organs or activity, intended to stimulate erotic rather than aesthetic or emotional feelings. In Greek, πορνεα refers to sexual immorality or adultery, and πορνος refers to one who commits such things into action.

In the Septuagint, πορνεα is used numerous times, and is typically defined as prostitution, fornication, or unchastity. It is used, however, as harlotry, unfaithfulness, wickedness, and prostitution. The Septuagint usage of πορνεα can be found in the following LXX passages: Gen 38:24; Num 14:33; IV Ki 9:22; To 4:12; 8:7; Pro 26:7; Wi 14:12; Si 23:23; 26:9; 41:17; Hos 1:2; 2:2, 4; 4:11, 12; 5:4; 6:11; Mic 1:7; Nah 3:3; Isa 47:10; 57:9; Jer 2:20; 3:2, 9; 13:27; Ezek 16:15, 22, 25, 33, 34, 36, 31; 23:7, 8, 11, 13, 17-19, 27, 29, 30, 35; 43:7, 9.

In the New Testament, πορνεα is used 25 times and is used to mean six different things, while one passage leaves the word untranslated. The six ways πορνεα is used in the New Testament is as follows: sexual immorality [13], adulteries [5], immorality [2], marital unfaithfulness [1], illegitimate children [1], sexual sin [1], and untranslated [1]. The New Testament usage of πορνεα can be found in the following passages: Mt 5:32; 15:19; 19:9; Mk 7:21; Jn 8:41; Acts 15:20, 29; 21:25; 1 Cor 5:1 (twice); 6:13, 18; 7:2; 2 Cor 12:21; Gal 5:19; Eph 5:3; Col 3:5; 1 Thess 4:3; Rev 2:21; 9:21; 14:8; 17:2, 4; 18:3; 19:2.
           
There are fourteen passages in which πορνεα is translated as “sexual immorality”. Those passages are as follows: Mt 15:19; Mk 7:21; Acts 15:20, 29; 21:25; 1 Cor 5:1 (twice); 6:13, 18; 7:2; Gal 5:19; Eph 5:3; Col 3:5; 1 Thess 4:3; Rev 9:21. The majority of the usage as “sexual immorality” comes in Paul writing to churches, stressing the importance of avoiding such things. Two passages which clearly state the severity of πορνεα come in 1 Corinthians 6, verses 13, “The body is not meant for πορνεαbut for the Lord,” and 18, “Flee from πορνεα. All other sins a man commits are outside the body but the one who practices [this] sins against his own body.”

There are five passages in which πορνεα is translated as “adulteries”. Those passages, all found in the book of Revelation, are as follows: Rev 14:8; 17:2, 4; 18:3; 19:2. The contextual usage of πορνεα (and its translation as “adulteries”) seems to allude to the idea that this is not just an act of one or two people, but the world as a whole. In 19:2, it speaks of “the great prostitute who corrupted the earth with her adulteries,” which is also referred to as “Babylon the Great.” It is used metaphorically, painting a picture of God longing for His people to return to Him.
It is used metaphorically, painting a picture of God longing for His people to return to Him.

Twice πορνεα is translated as “immorality” (1 Cor 7:2; Rev 2:21). Each time it has a different contextual meaning. Paul uses it literally, while John, in Revelation, uses it in a sense that can go either way, depending on one’s eschatological views. Paul speaks of each man having his own wife because of immoralities between men and women. John speaks of Jezebel refusing to repent of her immorality, though God had given her time to repent.  

What of the minority translations? Twice in Matthew πορνεα is translated as “marital unfaithfulness” (5:32; 19:9). Once it is translated as “illegitimate children” (John 8:41), and once it is translated as “sexual sin” (2 Cor 12:21). In Matthew 5, Jesus was delivering the famous sermon on the mount and speaks of the importance of maintaining the bond of marriage except on the grounds of πορνεα, which goes to further show the weight of severity the word seems to carry. Later, in Matthew 9, Jesus repeats the same concept, even using the same word picture. In John 8, Jesus is accusing the people of seeking to kill Him and they reply by saying “we are not illegitimate children (πορνεα); we have one father: God.” In 2 Corinthians 12, Paul writes of his fear of mourning over those who have not repented of their πορνεα (immorality).

Other words related to πορνεα used in the NT (at least, those based off the word’s root) are πορνοςπορνευωand πορνηThroughout history (from early Greek literature to early Christian literature), the word does not seem to have undergone much change in definition. In earlier (classical) Greek, the word typically refers to prostitution, while in later Christian literature the word refers to adultery or sexual immorality, both categories under which the earlier translation of prostitution could easily rest.

Paul seems to use πορνεα almost exclusively as a general referance to sexual immorality. Once he also uses it as sexual sin, and once as immorality. However, the other 8 times he uses it in the general sense of sexual immorality, leading one to believe that πορνεα is not so much an issue of the hands but of the heart, since morality is of the heart. I have seen English translations which place πορνεα in only one category, primarily as translating it as either “adultery” or as “sexual immorality.” The general usage as “adultery” seems limiting and bland and thus I do not agree with it as a one-size-fits-all usage. However, the general usage as sexual immorality does seem to cover a wide ground and thus at least appears safe to do.

Sexual immorality, unchastity, fornication, prostitution, adultery, marital unfaithfulness, illegitimate children, immorality, and sexual sin are various ways that πορνεα has been used in Scripture, both the Septuagint and the New Testament. In my passage of focus, Epheians 5:1-12, πορνεα is used alongside πορνος to refer to sexual immorality and those who commit sexual immorality. I do believe that the best translation of πορνεα, as used in Ephesians 5:3, is “sexual immorality”, given its contextual association: “among you there must not even be a hint of πορνεα,” again leading one to conclude that it is more so an issue of the heart than that of the hands.



Bibliography

Balz, Horst, and Gerhard Schneider. Exegetical Dictionary of New Testament Theology. Grand Rapids, MI: William B. Eerdman's Publishing Company, 1990.
Brown, Colin. The New International Dictionary of New Testament Theology. Grand Rapids, MI: Zondervan Publishing House, 1986.
Danker, Frederick William. A Greek-English Lexicon of the New Testament and other Early Christian Literature, Third Edition. Chicago, IL: The University of Chicago Press, 2000.
Liddell, Henry George, and Robert Scott. Greek-English Lexicon. Oxford: Clarendon Press, 1996.
—. Greek-English Lexicon. New York: Harper & Brothers Publishers, 1872.



Become Imitators: An Exegesis of Ephesians 5:1-12

This is an academic paper I wrote for my Greek Exegesis class during the fall of 2013.

BECOME IMITATORS

Written around A.D. 60 by the apostle Paul of Tarsus, possibly from the cell in the Roman prison where he was being held[1], the letter to the Ephesians is similar to his letter to the Colossians comes with a twofold purpose: primarily, it is a letter of encouragement, but it is also a reminder that since they (those receiving the letter) are Christians, they must live as such. The letter was written to encourage any Gentile believers, and also to clarify that Gentiles and Jews have all been brought together as one in Christ. Ephesians is divided into two clear sections: the first three chapters lay out theological truths, and the last three chapters lay out clear instructions of how a Christian is to live.

The passage in particular which I will focus on, 5:1-12, happens to fall in the second half of the letter and fits into this text as a piece of instruction which has one clear message: As children of God and of Light, we should imitate God by walking in love and in light; darkness and immorality have no place in love and light. Chapter 4 begins the second half of Ephesians, and concludes (verses 29-32) with talking about letting “no unwholesome word proceed from your mouth, but only such a word as is good for edification according to the need of the moment, so that it will give grace to those who hear.” It also says that we should be kind to each other, tender-hearted, and forgiving each other, “just as God in Christ also has forgiven you.” Thus, chapter 5 immediately begins with, “Therefore, become imitators of God as beloved children, just as Christ loved you and gave Himself up for us,” and goes on to talk about living as children of light. After my passage, Paul goes on to say “But all things become visible when they are exposed by the light, for everything that becomes visible is light,” and talks about the importance of being careful how we walk and making the most of our time.

Paul uses 171 words (in the Greek) to make his point that immorality has no place in love and among God’s beloved children. Paul says several things in this passage, and one has to look a little closer than the surface to see all of it. We should become imitators of God (ref. Matt 5:48; 1 Pet 1:15-16; Col 3:12; Eph 4:12; 1 John 4:11) as beloved children (we are His children), and walk in love even as Christ loved us (ref. Col 3:5; 1 Cor 6:13, 18), and our lives should be lived as a sacrifice to God which has a sweet smell (cf. Rom 12:2). Les Painter states: “Our love should also be a sacrifice.” [2]The phrase “become imitators” points to what we should be, and not what we should do. This becomes important when one takes into consideration the fact that the rest of the section is talking about what we should (and should not) do.

The statement of “as beloved children” also adds an addition answer to any “why” that could be asked in regard to 4:3 which states to preserve the unity of the Spirit with all diligence; why do this? We are children of God. Immorality, impurity, and greed should not even be named among the people of God, and filthiness and worthless talk should be replaced instead with thanksgiving (ref. Eph 4:29). Thanksgiving and worthless talk are at odds with each other; thanksgiving leaves no room for worthless talk, and worthless talk nullifies thanksgiving. Paul purposely makes this contrast to show that God’s children are called to an even higher standard of moral living. He reinforces this by stating that we can know with certainty that no immoral, impure, or covetous person will have any inheritance in the kingdom of Christ and God—in fact, such a person is an idolater (ref. Gal 5:21; 1 Cor 6:9-10; Rev 21:8). When thinking about how serious God took adultery during Old Testament times, this again comes as a very stark contrast. We are called be different; not look or act different, but be different.

Paul’s love for the Ephesians bleeds through his words, and he makes certain to urge them to stand firm in truth by stating “let no one deceive you with empty words.” Because such people deceive God’s children and lead them astray (like wolves that would come to snatch sheep from the flock), “the wrath of God comes upon the sons of disobedience.” (Ref. Col 3:6; Col 2:8; Matt 14:4; 1 John 4:1; Rom 1:18) Note here the contrast that Paul makes with verse 1. We are called children of God; those who deceive and lead astray, though, are not children of God but rather sons of disobedience. And because the sons of disobedience are not children of God, Paul states in verse 7, “do not be partakers with them,” (ref. Pro 9:6; 13:20). He goes on to add additional reasoning behind this as well: “for you were formerly darkness but now you are Light in the Lord…” (Ref. John 8:12; 1 John 1:7). Light and darkness cannot cohabitate. Therefore, as Light in the Lord, we should “walk as children of Light”. Paul states the fruit of the Light “consists in all goodness and righteousness and truth,” (ref. Gal 5:22-23). And in walking as children of Light, we should learn what is pleasing to the Lord (ref. Rom 12:2).

Immediately, Paul contrasts this with the statement: do not participate in the unfruitful deeds of darkness, but instead even expose them (ref. 1 Tim 5:20; 2 Tim 3:6; Rom 13:12; 1 Cor 5:9-11). Again, light and darkness cannot cohabitate. If we are to live as children of Light, we cannot play with the things of darkness. We cannot play in the streets of sin. A God who doesn’t discipline is one watching His kids playing in their streets of sin, but our God is one who disciplines. His wrath comes upon the sons of disobedience. This passage concludes with: “for it is disgraceful even to speak of the things which are done by them in secret.” The deeds of darkness are such a putrid smell in God’s nostrils that it is disgraceful for God’s children to even speak of such things.

There are several key words in this passage which I would like to point out. First is the word γίνεσθε, which best translates “become”, and is in the imperative case. Though it is often translated “be”, the root word, γίνομαιtranslates as “come into a state of being,” or “become”. Thus, my conclusion of the word’s best meaning stands. Another word is μιμητα, which translates as “imitators”. This word is key to this passage, as the remainder of the passage centers around what it means to be imitators. Also in this passage, as in several others, Paul tells us to walk, which is περιπατετεHere he tells us to walk in love. The word used for love here is γάπThe next word I wish to point out is μωρολογιαwhich is translated in this passage as “foolish talk” but I believe better translates “worthless talk”. It is any speech which is does not described in Ephesians 4 or 5 as being fitting for God’s children. The word συνμέτοχοι translates “partakers with” (verse 7). Interestingly, the word translated as “participate” in verse 11, συνκοινωνετε, is better translated as “have a joint share of”. It is not simply a matter of participation, but a matter of having an equal, or joint, share with the unfruitful deeds of darkness. The word for “learning” (verse 10) is δοκιμάζοντες and can also be translated as “testing”. Testing what is pleasing to God.[3]

Next we come the word πορνεια.  A brief word study has showed that this word (which, by the way, is the word from which the English word “pornography” is derived from) can be best translated one of two ways in this passage: immorality, or sexual immorality.[4] Seeing as Paul follows the word with “immorality” (NASB) with “impurity” in the context of being imitators of God (a lot of “im” words, or as I’d say, “I’m” words), it becomes clear that he is talking about issues of the heart and not just issues of the hand. Thus, it could be translate either way and still fit the overall context of the passage well. [5]
            
I could not find any significant or otherwise noteworthy issues of textual criticism with this passage, and most findings have been conclusive with one another. There have not been theological issues with this passage in terms of interpretation or application, as it is very straightforward. I would not conclude that this is the key passage of Ephesians because taken by itself without the surrounding context of the rest of the letter, it does not hold nearly as much value, and much of its own value is lost because it must be taken in its greater context to be fully understood. It has been a fun semester studying this passage and I’m glad for all exegetical techniques I learned in the process of doing so.




Bibliography

Chris. Letters to the Church: Ephesians. August 21, 2012. http://www.biblegateway.com/blog/2012/08/letters-to-the-church-ephesians/ (accessed December 8, 2013).
Meyer, Frederick Brotherton. F.B. Meyer's 'Through the Bible' Commentary. 1914. http://www.studylight.org/com/fbm/view.cgi?bk=eph&ch=5 (accessed 12 4, 2013).
Painter, Les. Christian Belief and Behaviour: An EasyEnglish Bible Version and Commentary on Paul's Letter to the Ephesians. UK: Wycliffe Associates, 2005.
Unknown. Ephesians 5:1-5:21: Walking in the light, Imitating God. July 10, 2013. http://www.bcbsr.com/books/eph5a.html (accessed December 4, 2013).

Balz, Horst, and Gerhard Schneider. Exegetical Dictionary of New Testament Theology. Grand Rapids, MI: William B. Eerdman's Publishing Company, 1990.
Brown, Colin. The New International Dictionary of New Testament Theology. Grand Rapids, MI: Zondervan Publishing House, 1986.
Danker, Frederick William. A Greek-English Lexicon of the New Testament and other Early Christian Literature, Third Edition. Chicago, IL: The University of Chicago Press, 2000.
Liddell, Henry George, and Robert Scott. Greek-English Lexicon. Oxford: Clarendon Press, 1996.
—. Greek-English Lexicon. New York: Harper & Brothers Publishers, 1872.







[1]Chris. Letters to the Church: Ephesians. August 21, 2012. http://www.biblegateway.com/blog/2012/08/letters-to-the-church-ephesians/ (accessed December 8, 2013).
[2] Painter, Les. Christian Belief and Behaviour: An EasyEnglish Bible Version and Commentary on Paul's Letter to the Ephesians. UK: Wycliffe Associates, 2005.

[3] These word study findings were independently researched.
[4] Balz, Horst, and Gerhard Schneider. Exegetical Dictionary of New Testament Theology. Grand Rapids, MI: William B. Eerdman's Publishing Company, 1990.

[5] Brown, Colin. The New International Dictionary of New Testament Theology. Grand Rapids, MI: Zondervan Publishing House, 1986.
Danker, Frederick William. A Greek-English Lexicon of the New Testament and other Early Christian Literature, Third Edition. Chicago, IL: The University of Chicago Press, 2000.
Liddell, Henry George, and Robert Scott. Greek-English Lexicon. Oxford: Clarendon Press, 1996.


—. Greek-English Lexicon. New York: Harper & Brothers Publishers, 1872.

Thursday, December 12, 2013

REVIEW OF Worship 365: The Power of a Worshiping Life

WORSHIP 365: THE POWER OF A WORSHIPING LIFE

            David Edwards begins the forward of his book with a question: What does it take to become a true worshiper, to experience a relationship with God that transcends anything one has ever known? This question becomes the central focus of his entire book, which he divides into four parts of 3 chapters each. This book review was originally written for one of my worship arts classes, but I felt it okay to share it here on my blog. I will go chapter by chapter in my summary, and provide questions that have been provoked within myself from the reading.
Part one.
The first three chapters go very fast. Chapter one answers the question: What is worship? Firstly, Edwards describes growing up before growing old, and growing up in worship. From there, Edwards lays out the basics of worship by quoting Psalm 100:4, stating: “Enter His gates with thanksgiving and His courts with praise. Give thanks to Him and praise His name.” He says worship is not just words, but also a lifestyle. Chapter two explains three things: worship is a two-way street, anytime is a good time to worship, and we are ordained to praise (“Praise and worship are a part of our spiritual DNA”). Chapter three beings under the heading: Worship: Hungering for God’s Presence. When Moses had the opportunity to meet with God, he had one thing to ask Him: Show me Your way. Edwards talks about how worship is a part of knowing God, but also that worship means drawing near to God.
Part two.
Chapter four talks about putting on praise. One thing I found incredible useful in this chapter is how Edwards explains that praise is a cure for depression. Putting on praise is a way to combat the spirit of depression. Edwards talks about the power of speech, quoting Jesus in Matthew 12:34, “the mouth speaks from the overflow of the heart.” He goes on to ask: what’s in your praise wardrobe?
Chapter five talks about the power of praise. “Go down before getting up”; Edwards talks about how Jehoshaphat in 2 Chronicles 20 declared a fast for all of Judah when they were surrounded; he sought God before anything. We, too, should respond in this way in every situation in life; getting down on our knees before God before we react to any news. It is there we find ourselves in the presence of God, and the presence of God equals victory. He also says praise is an instrument of warfare. After God had spoken and given Judah direction, they worshiped Him again, and yet the battle still hadn't happened. We should not rely on the symbol but the real thing; we should not rely on worship to give us strength, but on God. Judah sang into battle and so should we, trusting God to come through. The Devil hates it when we praise God because God has appointed it to us that we praise Him, and also because it gets our focus fixated upon the Lord.
Chapter six talks about the sacrifice of praise. Our praise shouldn't just come to God when it doesn't cost us anything; it should also come even if it’s as a sacrifice; allowing our prayers to be set before God as incense, and the raising of our hands as an evening offering (Psalm 141:2). God provides a way of escape in the face of danger and temptation, and our praise should come as a result of that; sacrificial thanks. To sacrifice means to kill something; a sacrifice of praise slays our pride, our fear, our wills and anything that would seek to deter us from our worship of Jesus Christ.
Part three.
Chapter 7 talks about “the way in”. On the topic of entering His presence, Edwards quotes Psalm 100:1-5. Praise sets the stage for worship. We will never have to wait in line or behind a barricade for His presence; when we worship God, we’re right there. Where we worship, we are “peaced” together. Our worship should be broken and spilled out “in loving surrender”, just as Mary poured expensive perfume on Jesus’ feet. We should not miss an opportunity to worship the Lord, because opportunities will come and pass. A life that is poured-out to the Lord leaves a lingering fragrance; each opportunity we seize to worship Him leaves such a fragrance in our wake. Edwards also is clear to say: “Your ministry to Jesus must come before your ministry for Jesus.” We are called to worship before we are called to go out; we are called to follow before we are called to lead. Just as Jesus was broken and spilled out, so should we be every single day of our lives.
Chapter 8 talks about “the presence and the presents”. We should live in such a way that we are always open to encounters with the Lord, and in a way that being in His presence becomes the most important part of our lives. In the place of His presence we can build an altar upon which we must offer our very lives to Him in loving worship and surrender. Edwards offers eight points of understanding: 1. In order to live in the place of His presence, you must follow God’s directions. 2. Living in the place of His presence, we learn that God’s heavenly hosts are actively involved in our lives. 3. When we are living in the place of His presence, He speaks to us words of blessing and promise. 4. Recognize and celebrate the manifestation of His presence. 5. Anyplace where God lets down the ladder is a Beth-El. 6. Always build an altar. 7. Always sacrifice. 8. In order to live in the place of His presence, we must live in a place of abiding. The presence of God is a holy thing which makes an ordinary place extraordinary. When God shows up, His presence causes things to change.
Chapter 9 talks about the promise of His presence. God manifests Himself in worship. While we know that God is present everywhere, He is manifested in worship. But it’s not about our agenda; it’s about God’s. We cannot bring our personal agenda into our worship of God. Worship is all about relationship. There is a holy equation… praise & worship = His presence, and His presence = an encounter. It’s not that we ought to have a selfish expectation that it’ll happen, but that we should know it does happen. Jesus tells us that He is with us, and Edwards quotes Matthew 18:18-20. Wherever two or more are gathered in His name, He promises to be there. The Holy Spirit is also active in worship, and works within each believer to do whatever He has to in order to awaken and deepen our awareness of and need for Jesus’ presence in our lives.
Part 4
Chapter 10 talks about throne room encounters. God is enthroned upon our praises, so when we praise Him, He is in our midst. Examples that Edwards uses are Isaiah, the 11 disciples (Matt 28:16-20), Pentcost (Acts 2:1-4), the Antioch church (Acts 13:1-3), and the Philippian Jail (Acts 16:25-34). Edwards says, “Throne room encounters equal great things.” He concludes the chapter with “One of the common threads that weaves its way through each of the worship encounters we've discussed is that the worship of the Lord came first and then the doing for the Lord followed.” “…ministering to the Lord must always come before ministering for the Lord. If we keep to that, our spiritual progress both personally and corporately will extend and expand beyond anything we ever dreamed. Worship is the goal of evangelism, and evangelism is the fruit of worship.”
Chapter 11 talks about the fruit of our own throne room encounters. One such fruit is purity: we are changed in His presence. His presence leaves us pure, because nothing leaves His presence unchanged, and He is pure. Thus what enters into His presence becomes pure. Another such fruit is purpose; we are challenged in His presence. We receive direction in God’s presence, and the throne room is where decisions are made and battle plans are drawn. Another such fruit is power; we are charged in His presence. In God’s presence His power is displayed. Edwards makes a bold statement in saying, “People can argue all they want about whether or not they believe in God’s manifest power—but while they argue, God continues to manifest His miraculous power and the world continues to be manifestly in need of it.” He goes on to say that as believers, we are called to proclaim the praises of the One who has changed our lives.  The purpose in this is to call others to worship the one true God. Edwards also makes a clear distinction in this chapter between being childlike and being childish in our worship to God. His final piece of the chapter comes under the heading “Undignified” and talks about the story in 2 Samuel 6 where David said “I will become even more undignified than this…” when talking about his expression of worship to God.
Chapter 12, the final chapter, is titled “Power to Worship.” In this chapter, Edwards talks about the five distinct stages in Isaiah’s worship encounter. 1. Recognizing God’s awesome glory, holiness, and power. 2. Recognizing and acknowledging one’s own sinful condition. 3. Humbling oneself in the presence of the Lord and confessing one’s sins to God. 4. The Lord shares His need for a messenger (God calls us). 5. We respond to God’s call. Isaiah responded “Here I am Lord, send Me.” Worship is about revelation and response; God reveals Himself to us and we respond to that revelation. There are certain worship stimuli we should be aware of: Quickening our consciences with God’s holiness, feeding our minds with God’s truth, purging our imaginations with God’s beauty, opening our hearts to God’s love, and devoting our wills to God’s purpose. Worship should be both private and public; we ought to worship God in private (just between ourselves and Him) and our lives in public should be as worship to Him Our homes should be His dwelling places, and His dwelling place should be our home. Edwards beings to wrap up the final chapter by calling his readers to make a decision, while reminding them that life is found where the river flows. There are four stages to the river: ankle-deep (people who want to be in control of their destiny), knee-deep (people who want a bit more but still want to be in control), waist-deep (people who want more; it’s hard to still stand but people try to still stand nonetheless), and over-your-head deep (people who have surrendered completely to the flow). Edwards concludes the chapter with God’s question to Ezekiel: “Do you see this, son of man?” Edwards concludes his book by stating that this could be rephrased as “you haven't seen anything yet!”

Questions From The Reading

            There are several questions I have from the reading. Most (if not all) of them are directed introspectively, though. Why is it that I used to think this way, but seem to have moved away from it? Why is it that I have become so dull, dead, and empty-hearted in my “worship” that I've become repulsed by even the thought of it? Why do I feel encouraged by this book, and so strongly agree with it, yet feel so discouraged when I look at how much my own worship has declined in the past couple years? Why is it that this decline has taken place at Bible College? My concluding question for myself would be this: What am I going to do about it? 

Thursday, October 10, 2013

The History of Thrice (An Academic Paper)

IMAGE OF THE INVISIBLE
THE HISTORY OF THRICE

First Impressions
                15 years ago (1998), two high school students, Dustin Kensrue and Teppei Teranishi, got together and started writing music. At some point they picked up a bass player and a drummer, jokingly naming the group “Thrice” to only be used for their first show. However, the name caught on quickly and they were forced to keep it. Right away they began recording, and it wasn’t long until the group released a 2-day EP project at A-Room Studios during 1999, titled First Impressions. The lyrics of this EP encompassed a great deal of cultural teen angst, with lines such as “What’s the use in hoping when you always get let down,” and “I’m drowning in a sea of hate-filled eyes, and she’s screaming but no one hears her cries.” Only 1000 copies of the album were made and the members sold the album out of their cars. The sound was heavy and immature, as could be expected from any high school band, but it wasn’t long until they made their break, for in 2001 the group released their first album titled Identity Crisis.

Identity Crisis

            Identity Crisis could be argued as the album in which Thrice established a pattern of sound to be expected in future albums, but not the point in which the group made a career break. Right from the start Thrice’s music was characterized by a heavy, fast sound featuring heavily distorted guitars and distinct lead guitar lines. Identity Crisis was recorded with Paul Miller of Death by Stereo and was released on Greenflag Records. As the album began to sell, some of the proceeds were donated to a local charity. This allowed the group to play more support gigs, which generated more local buzz. As if the title of the album isn’t enough of a clue, the album also featured lyrics leading to the idea the group was struggling with the concept of who they were. Such lyrics as “No fire in our eyes, no steel in our hearts, no magic in our songs, are we just empty vessels…What of all the art and books, music and poetry, what of all our memories, what of our hopes and dreams? They hold no value, we hold not faith but greed, so I must ask you, to what end do we proceed?” lead one to believe that the group was starting to look for something greater.

The Illusion of Safety

This sound and lyrical theme continued on into their second and third albums, The Illusion of Safety and The Artist in the Albulance. However, The Illusion of Safety, recorded with Brian McTernan and released on Sub-City records in February of 2002, seemed to stay truer to the earlier lyrical theme, with lines such as “Sick of this circle of death that we dance through, again and again, just lay me in the ground. Let’s fall asleep together. Hold me darling, ‘cause I’m scared and I can’t do this alone. But I need your heartbeat to own me, your cold lips to breathe one promise that, tomorrow, we’ll wake up somewhere new.” The sound of The Illusion of Safety seemed to carry more emotional angst, as characterized in the complex time signatures, vocal layering, and hard-driving beats. It was apparent that the band was learning and discovering more of music, but it wasn’t going to mean much if they couldn’t break into something distinct. The group toured to support the album, and again donated some of their proceeds to charity; this time, it was a non-profit youth shelter in South Central Los Angelas called “A Place Called Home.”

The Artist in the Ambulance

It could be argued that Thrice’s third full-length album was their actual career break. This is due to two singles on the album: “All that’s Left” and “Stare at the Sun.” Both songs received greater airplay and, as the  year progressed, the group found themselves playing at larger venues to larger crowds. The album itself released in 2003 through Island Records, and the title reflected their desire to do more than simply make music and continue to contribute to society through charitable donations. A portion of this album’s proceeds were donated to the Syrentha Savio Endowment, a financial aid organization for breast cancer patients.
A personal favorite from the album, “Stare at the Sun”, was featured in an Electronic Arts video game titled “SSX 3” and featured a distinct sound characterized by a complex bass lead on the verses and an accompanying complex guitar lead on the chorus. The lyrics of the song could be the turning point in their wording pattern. Here is an excerpt: “I see the parts but not the whole, I study saints and scholars both. No perfect plan unfurls. Do I trust my heart or just my mind? Why is truth so hard to find in this world?” Yet the song still carried along the band’s previous angst combined with a new determination to seek truth with the bridge and chorus: “I know that there’s a point I’ve missed, a shrine or stone I haven’t kissed, a scar that never graced my wrist, a mirror that hasn’t met my fist; but I can’t help feeling like I’m due for a miracle, I’m waiting for a sign. I’ll stare straight into the sun, and I won’t close my eyes ‘till I understand or go blind.”

Vheissu

            While The Artist in the Ambulance was arguably the turning point in Thrice’s career, their fourth album, titled Vheissu, could be argued as the turning point in their spirituality. The album featured a calmer and more introspective sound accompanied by lyrics such as “So put your faith in more than steel. Don’t store your treasures up with moth and rust, where thieves break in and steal. Pull the fangs from out your heel. Well, we live in but a shadow of the real.” It became apparent that the group was not going to settle for average in any aspect of life, whether musical or spiritual. The album was released on October 17, 2005 by Island Records and peaked at #15 on the Billboard 200 chart.
Vheissu was characterized by calmer and more experimental sounds such as piano melodies, electronica, folk Japanese music-box undertones, and chain-gang chant choruses, thus showing it to be a deviation from the band’s post-hardcore roots. A personal favorite from this album (and the title of this paper) is the song “Image of the Invisible.” Featuring an energetic and driving sounds coupled with the lyrics, “We’re more than carbon and chemicals; free will is ours and we can’t let go; we can’t allow this, the quiet cull; so we sing out this, our canticle; we are the image of the invisible. We all were lost now we are found; no one can stop us or slow us down; we are the named and we are known; we know that we’ll never walk alone,” this song carries clear the message that they had accepted Christ.

The Alchemy Index

            Thrice’s fifth effort was a double album titled The Alchemy Index, with each album featuring two EPs of 6 songs each. Each EP features a significantly different style, based on different aspects of musical and lyrical aestheticism. The purpose of the four EPs was that each would represent an element of nature: fire, water, air, and earth. It could be argued as the bands greatest work of creativity. The first album, The Alchemy Index Vols. I & II: Fire & Water, was released October 16, 2007 under Vagrant Records. The band reportedly left Island Records during the recording of the album due to a difference in vision for the direction of the band. The second album, The Alchemy Index Vols. III & IV: Air & Earth, was released April 15, 2008 on Vagrant Records. Both albums were self-produced.
A personal favorite from this double album, four-EP work comes from the Fire & Water Index, and is titled “Digital Sea”, featuring lyrics such as “I woke, cold and alone, adrift in an open sea. Caught up in regrets and tangled in nets instead of your arms wrapped around me. And I wept, but my tears are anathema here, just more water to fill my lungs. I hear someone scream ‘God what it is we have done?’ I am drowning in a digital sea, I am slipping beneath the sound. Here my voice goes to the ones and zeroes, I’m slipping beneath the sound.”

Beggars

            Initially slated to release October13, 2009 on Vagrant Records but later changed to an iTunes release of August 11, 2009 and a physical release of September 15, 2009 due to the album being leaked, Thrice chose to move away from the “sleepy feeling” of The Alchemy Index and Vheissu toward “a little more upbeat and energetic” for their self-produced sixth project, titled Beggars. Though the group initially wanted to record the album live (recording the full band in one take instead of mixing tracks individually), they chose instead to record songs with “similar vibes musically and tonally” in one session at self-built home studio. During this time, the band went on tour and played their new sound at numerous sold-out venues, but their spring 2010 tour with the Manchester Orchestra was cut short when Kensrue had to leave due to an illness in his family. However, this would not stop the band from continuing later.

Major/Minor

            After taking a short break, Kensrue revealed that each band member had been individually writing music to be used for a new album. The album was recorded at Red Bull Studios (produced by Dave Schiffman) but later tweaked and edited at Teppei’s home studio (New Grass Studios). before being released on September 20, 2011.  The sound was different than previous albums and reflected the significant amount of maturing the members of the group have done over the years. The album received critical acclaim, earning an average score of 82 (based on 10 reviews). BBC reported Raziq Rauf stated “there’s a simplicity to the music and songs that allows the listener to enjoy them at a very elemental level”. IGN spoke of the album as “one of the strongest rock efforts of the year.” Kensrue’s lyrics were hailed as “sheer poetry and in this day and age, such a brave and welcome change.”

Haitus


            After touring through the spring of 2012, Dustin Kensrue stated “Thrice is not breaking up…” but was rather “taking a break from being a full-time band.” Accompanied by Animals as Leaders (featuring the acclaimed guitarist Tosin Abasi) and O’Brother, the band played a farewell tour and ended with a 33-song solo performance on June 19, 2012. Twenty-four select songs recorded live during the tour were compiled into a live album titled Anthology. During the time since, members of the band have been involved in various side projects. Kensrue’s solo project has gathered a wide following and continues to encompass his creativity in lyrics and sound, while conveying his faith in Christ.